Her many roles include Traviata, Lucia, Armida (Rinaldo), Alcina, Merry Widow, Rosalinde, Susanna, Countess Almaviva, Donna Anna, Marguerite (Faust), Manon, Marie (Wozzeck), Jenny (Mahagonny), Aida, Carmen, Contesse de la Roche (Soldaten); just to mention a few. Noëmi Nadelmann has sung major roles at opera houses such as the Metropolitan Opera in New York, Opéra National Paris, Vienna State Opera, Deutsche Oper Berlin, Komische Oper Berlin, State Opera Berlin, State Opera House Hamburg, Dutch National Opera Amsterdam, Lyric Opera of Chicago, Operhaus Zürich, New National Theatre Tokio, Bolshoi Theatre in Moscow, Bavarian State Opera in Munich, Dresden Semper Opera and many more. Conductors Noëmi Nadelmann had the honour to work with include Nicolaus Harnoncourt, Christian Thielemann, Simone Young, Franz Welser-Möst, Teodor Currentzis, Vladimir Jurowski, Christoph Eschenbach, Kurt Masur, Asher Fish. There are several CDs and DVDs available on the market. In the french Chopin Film la note bleue she embodied the role of the opera singer Pauline Viardot-Garcia with french actress Sophie Marceau. Noëmi Nadelmann was awarded the esteemed Wolfgang Amadeus Mozart Prize by the Goethe-Stiftung for her outstanding artistic achievements.

Jeffrey Black made his European debut in 1986 as Harlekin in Ariadne auf Naxosin Monte Carlo and his British debut the same year at the Glyndebourne Festival as Sid in Albert Herring, where he has subsequently returned for Demetrius in A Midsummer Night’s Dream(1989) and the Count – in both Capriccio (1990) and Le nozze di Figaro (1991).
At the Royal Opera House, Covent Garden, he has appeared as Harlekin, Sid, Figaro (II barbiere), Dandini, the Count de Nevers in Meyerbeer’s Les Huguenotsand the Count (Figaro).
Jeffrey made his debut at the Metropolitan Opera, New York, with Figaro (II barbiere) in 1995 and returned in 1997 to sing the Count (Figaro).
In summer 2010, Jeffrey performed the baritone role of Gianciotto in Zandonai’s opera Francesca da Riminifor Opera Holland Park.
From 2006 to 2012 Jeffrey Black was a Senior Lecturer in Voice at the Kingston University London, he was the 2012 and 2014 Australian Singing Competition National Adjudicator, and current Board Member at the Music & Opera Singers Trust (MOST).

She has soloed for the San Francisco and Berkeley Symphonies, performed numerous professional roles in opera and musical theatre, ranging from CioCioSan in “Madama Butterfly” for Monterey Opera, to Leonore in Fidelio”, to the soprano in Terence McNally’s “Masterclass” for Pacific Repertory Theatre. Other highlights include playing Miss Jane in the West Coast debut of Adam Guettel’s “Floyd Collins” for Theatreworks and Mrs Manningham in “Gaslight” for California Conservatory Theatre. A singing actor and champion of new music, Narelle has premiered a number of new works in both the USA and Australia, including her recent portrayal of Catherine in the new Australian opera “The Long Ride Home” by Thomas Rimes. Other Australian highlights include premiering new works at the Moorambilla Festival and the Brisbane Festival.
Narelle is also a sought after stage director, with numerous credits in opera and musical theatre to her name. In her previous role as a Director in the Opera Program at the San Francisco Conservatory enabled she developed a course in stage basics for opera singers. She is currently a Director in Residence at the Sydney Conservatorium of Music, where she also teaches stagecraft and voice to graduate and undergraduate students. Recent directing engagements include in Bernstein’s “Mass” at the Sydney Opera House and “I Pagliacci” for the Speigeltent (Strut and Fret).

In his professional career he has performed in Singapore, China, Japan, Vietnam, Hong Kong, Finland, Poland, UK, NZ. In Australia, he has sung with West Australian Opera, State Opera of South Australia, Victoria State Opera,Victorian Opera, and has had a long and productive association with Opera Australia.
Wagnerian roles include: Alberich (Der Ring des Nibelungen); Klingsor (Parsifal); Dutchman (Der Fliegende Hollaender); Fasolt (Das Rheingold); Herald (Lohengrin); Wolfram (Tannhauser); and his highly acclaimed Beckmesser (Meistersinger).
Other major roles have included: Falstaff; Rigoletto; Bluebeard; Sancho Panza (Don Quichotte); Athanael (Thais); Amonasro (Aida); Paolo (Simon Boccanegra); Four Villains (Tales of Hoffmann); Mandryka (Arabella); Faninal (Rosenkavalier); Fra Melitone (Forza del Destino); Dr Schon (Lulu); Pizarro (Fidelio); Bartolo (Il Barbiere Di Siviglia); Dr Bartolo ( Marriage of Figaro); Leporello (Don Giovanni); Germont (Traviata).
Concert work includes performances with Japan Philarmonic, Tianjin Symphony, Melbourne Symphony, Sydney Symphony, Adelaide Symphony, Tasmanian Symphony, Queensland Symphony, West Australian Symphony; New Zealand Symphony, Warsaw Symphony, Singapore Symphony orchestras; the Auckland Philarmonic, and the Orchestra of The Music Makers (Singapore).
Warwick has been the recipient of many awards including Helpmann, Green Room Awards, and the Bayreuth Scholarship. In 2015 he was awarded a Winston Churchill Fellowship to study Wagnerian Vocal Technique in Germany, the US and the UK.
Born in Canberra, Australia, Warwick is an alumnus of the Victoria College of Arts (Melbourne University).

Her career began on the music staff of the Australian Opera. After a period of study in Germany in Lied Accompaniment, Linnhe remained there working as a vocal accompanist and as assistant to vocal Professor Kaiser-Breme at the Bayreuth International Wagner Festival. With her move to Great Britain, Linnhe changed music direction and pursued a high profile career as a harpsichordist throughout the UK and Europe. She performed and recorded as the resident harpsichordist with the Bournemouth Sinfonietta and with other notable early music ensembles, such as the English Baroque Soloists under John Eliot Gardiner. During this period, she also worked as repetiteur with the English National Opera under the Music Directorship of Mark Elder.
In 1989 Linnhe was invited to take up the position as Head of Music and Director of the Young Artists’ Programme at the Victoria State Opera based in Melbourne Australia, a position which continued with the merger of that company and the Sydney-based national company (renamed Opera Australia). Through the success of her work with the training and development of young opera singers, Linnhe was awarded a Churchill Fellowship in 1993, which she used for further research into varying world-wide training systems for young singers.
On returning to the UK in 1999, Linnhe completed a Masters degree in Arts Management at City University, London. She was offered the position in 2002 as Deputy Head of Vocal Studies and subsequently Head of Vocal Studies at the Guildhall School of Music & Drama until 2013. She now has the role of ‘Artistic and Research Consultant for Opera & Voice’ at the Guildhall School. Linnhe also coaches the Jette Parker Young Artists at the Royal Opera House, Covent Garden, London.
Linnhe continues to give masterclasses and performs regularly as recital accompanist with singers throughout Great Britain and Europe.

Heats Adjudicators

Melbourne Heats
Richard Mills and Stephen Grant

Perth Heats
Chris van Tuinen and Emma Matthews

Brisbane Heats 
Gregory Massingham, Jan Black and Angus Wood

Auckland Heats
Robert Wiremu and Jessica Duirs

Sydney Heats
Anke Hoeppner-Ryan and Jud Arthur

London Heats
Linnhe Robertson, David Harper and Kate Paterson